Life With The Dull Bits Cut Out: In Defence Of Reality Television

The Dance Sequence That Explains Everything And Nothing In Euphoria, Giri/Haji And I’m Thinking Of Ending Things

Why ‘Parasite’ Will Win Best Picture at Oscars 2020

What’s With Hindi Entertainment’s Gangster Imposter Syndrome?

What’s Driving Our Taste for Explicitly Nationalistic Cinema?

Why Repealing The Popular Film Category In Oscars Was A Poor Decision

The Shortcomings Of Sacred Games

Bollywood Is On The Precipice Of a Great Transformation

‘Veere Di Wedding’ is Patriarchal, Classist and Straight Up Bad, but Groundbreaking Nonetheless

Development

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Distress

My Foray into a Forbidden Nation: 10 Days in Iran

Professor Claims Finger­snapping a Covert Communist Ploy (Satire)